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Page 1: Aaargh! - Adidas Championship Football
Page 2: Adidas Championship Tie Break - Agent Orange
Page 3: Agent X II - Alien
Page 4: Alien Break-In - Altair
Page 5: Altered Beast - Anarchy
Page 6: Android One - Aqua
Page 7: Aquad - Argo Navis
Page 8: Arkanoid - Assault Course
Page 9: Assault on Port Stanley - Atlantis (Anirog)
Page 10: A320 - Auf Wiedersehen Monty
Page 11: Australian Rules Football - Les Aventures de Pépito au Mexique
Screenshot of Arkanoid
Arkanoid (Advert)
(Imagine, 1987)

This is widely regarded as one of the best Breakout clones of all time and it's not hard to see why; in fact, a lot of people talk about Arkanoid clones instead! The graphics are brilliant and both the ball and bat move extremely smoothly across the screen. In addition, there are power-ups to collect and monsters which get in your way. The theme tune is wonderful to listen to as well. However, this game would get a much better mark if it wasn't for level three, which is nigh-on impossible to complete – I think I've managed it once without cheating. However, there is an unofficial construction kit which lets you create your own levels.

See also: Arkanoid: Revenge of Doh.

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Screenshot of Arkanoid: Revenge of Doh
Arkanoid: Revenge of Doh (Advert)
(Imagine, 1988)

If you thought the original game was tough, you'll be screaming at the sequel. Yes, the authors clearly thought that those indestructible orange bricks should be added to the third level, again making progress beyond this level almost impossible. In fact, this was the subject of a letter in Amstrad Action (and no, I didn't write it). The graphics are better and the bat and ball scroll smoothly, but it's just too difficult. Do the authors of sequels have any sense at all?

See also: Arkanoid.

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Screenshot of Arkos
Arkos
(Zigurat, 1988)

An axe with magical powers has been stolen from the village of Kartes by the evil Tarox, and its people have suffered terribly for years as a result – but then a boy called Arkos was born, and his childhood was spent training to eventually retrieve the axe and bring prosperity to Kartes once more. As Arkos, you must first cross the village to the marshes, where you will meet Tarox, who has transformed himself into a huge monster. Once you defeat him, a large bird will take you across the marshes to the abandoned temple of Zintos where you will find the axe. The graphics are very colourful and well drawn, but the sound effects are rather basic, and the first and third parts of the game are very frustrating due to the sheer number of enemies that can appear on the screen, which wastes a lot of your lives.

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Screenshot of The Armageddon Man
The Armageddon Man
(Martech, 1987)

In 2032, the world is close to Armageddon. Sixteen countries form the United Nuclear Nations (UNN), and its supreme commander, the so-called 'Armageddon Man', decides the fate of the world. It's your job to maintain world peace and stability between these nations. You have a network of satellites which allow you to eavesdrop on communications and shoot down nuclear missiles. There are other aspects of the game as well, and you can also declare your support for, or criticise, any of the nations. Events happen quickly, and it's quite a task to keep up with them. This is an icon-driven strategy game and will take some time to master. If you've got the patience, you might well like it a lot, but it really isn't the type of game that everyone will enjoy.

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Screenshot of Army Moves
Army Moves
(Dinamic, 1986)
Reviewed by Guillaume Chalard

If you already know a few Dinamic games, it's hardly useful to present you this one. Two words will be sufficient: 'beautiful' and 'unplayable'. In the first part, you drive a jeep and then fly a helicopter, and you must clear your way through myriads of enemy jeeps and helicopters. If this wasn't enough, there are many holes in the road so you have to jump to avoid them, and missiles keep falling. It's a real challenge to stay alive for more than 15 seconds. In the second part, you must cross a swamp to enter the enemy camp and destroy it. As usual with the Spanish developers, the graphics are colourful and the sprites move smoothly. The game window is a bit too small, however. Unless you play with infinite lives or are specially gifted (I'm not), it's really hard to keep your self-control!

See also: Navy Moves.

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Screenshot of Arquimedes XXI
Arquimedes XXI
(ESP Soft, 2011)
Reviewed by Missas

Arquimedes XXI was originally released for the Spectrum and MSX machines in 1987, but thanks to ESP Soft, it is also available for the CPC. Firstly, this is a pure text adventure. The game starts with a well drawn introduction screen. The graphics are above average (MODE 0) with a fine colour selection, but they are not too detailed. The result is satisfactory, though. The parser is limited to simple words like "examine" and "w" (meaning west) and after some practice, a player won't have any problems with the interface. Because of the well drawn in-game screens, the gameplay is further assisted. The plot is very interesting, thus the grab factor is strong. A minus here is that the game itself is rather small. Overall, an interesting text adventure that is worth playing.

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Screenshot of Artura
Artura
(Gremlin, 1989)

You are Artura, and your evil half-sister Morgause has kidnapped Nimue, apprentice to Merdyn the Mage. You must rescue Nimue so that Merdyn can recover the lost Treasures of Albion and reunite the kingdom of Albion. Behind the rather grandiose background is a run-of-the-mill platform game in which you must explore a huge castle in the search for magical runes that will enable you to teleport to other sections of the castle in your search for Morgause. The castle is filled with warriors, rats, bats and other creatures which you can kill with your axe, and witches also need to be defeated in order to reveal some of the runes. The music that plays before the start of each game is amazing, but the graphics look rather dull in comparison, and the game requires a lot of walking around and exploration; you'll definitely need to make a map to find your way around.

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Screenshot of Aspar GP Master
Aspar GP Master
(Dinamic, 1988)

Jorge Martinez 'Aspar' won four motorcycle World Championships in the 80cc and 125cc classes in the 80s, and this game (released outside Spain as Grand Prix Master) sees you competing in the 80cc World Championship, which consists of seven tracks and a total of twelve other riders. Unlike most other racing games, you get an overhead view of the track, rather than a view from the motorbike. You can practice each track before attempting to qualify and ultimately race, which is a good thing because qualifying isn't easy. Your bike has a turbo booster which you need to use in the corners to maximise your speed. Getting the hang of qualifying and racing will take a lot of practice, but it's worth it, as the game is a lot of fun once you've mastered it.

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Screenshot of Asphalt
Asphalt
(Ubi Soft, 1987)

America's highways are ruled by lawless anarchists, and the juggernauts that travel all over these highways now require armed protection. You're in control of one of these lorries and have to shoot all the cars and motorbikes that come up behind (and sometimes in front of) you and attack you. As well as a gun, you've got a flamethrower and some mines, although these are limited. At the top right of the screen, you can see how damaged your juggernaut is, and if any section becomes badly damaged, the juggernaut will burst into flames. The graphics are good, but I found the action to be a bit dull and repetitive.

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Screenshot of Assault Course
Assault Course
(Players, 1990)

Joystick-waggling games are normally the bane of my life, so it's refreshing to see such a game where battering the hell out of the joystick won't work! Better still, it can be played using a keyboard! As you might have guessed, you're taking part in an assault course and you must complete the course within the time limit. It's all about getting a sense of rhythm – if you lose it, you'll fall off some of the obstacles, which is rather easy. It is possible to complete the courses, but they're all much the same, really.

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